1. Parasite In The City Game

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.: March 29, 1998.: September 9, 1998 Mode(s) Parasite Eve is a 1998 video game developed and published. The game is a sequel to the novel written by; it is also the first game in the. The story follows New York City police officer Aya Brea over a six-day span in 1997 as she attempts to stop the Eve, a woman who plans to destroy the human race through spontaneous human combustion.

Players explore levels set in areas of New York while utilizing a pausable real-time combat system along with several elements. Parasite Eve was SquareSoft's first M-rated game, and the first major American and Japanese game development collaboration for the company. It was produced by and directed. Music for the title was composed by who was widely acclaimed for her work to create an 'inorganic' and 'emotionless' soundtrack that saw two album releases. Parasite Eve received positive reviews; critics praised the graphics and gameplay, but found the overall game too linear and with little replay potential.

The video game adaptation was part of a resurgence of popularity in Japanese horror sparked by the original book, and was released alongside a film adaptation and two manga comics; one based on the book, the other on the video game. The original title was also followed by two video game sequels: in 1999 and in 2010, and was re-released on the in 2010. Contents. Gameplay Parasite Eve is an action role-playing video game with elements. Movement in the ' (which is a map of ) is limited to specific destinations.

Upon the player walking over a 'hot spot', there's a chance of a. Enemies materialize and attack players on the same screen that they move Aya around on, with no battle mode or screen being used.

In battle, the game uses a pausable real-time combat system with an (ATB) that sets the time that must be waited till the player can take their next action. While waiting for her turn, the Aya can be moved around to dodge enemy attacks. Upon each turn, the player may choose between attacking with their equipped weapon by pressing the attack button, using PE (Parasite Energy) for defense, assistance, or attack, using items, changing weapon or armor, or escaping the battle. If the player chooses to attack, the battle briefly pauses and a dome/sphere symbolizing the range of the weapon appears, allowing the player to target an enemy within range. Parasite Energy recharges during battle but the more players use it, the slower it refills.

When not in battle, the player has the option of altering the weapon and armor attributes and effects with tools and super-tools, which are limited in number. The player selects the 'tune-up' option, choosing the weapon that will be altered and the weapon from which the attributes or effect will be taken. Weapons have many different properties, including special effects like 'acid', which causes enemies to continuously take damage. One of the principal RPG elements of the game is that experience-based are present. Each time the player's level increases, his/her attributes go up and BP (Bonus Points) are given.

These points can be distributed to the ATB, item capacity, or attributes of a weapon or armor. Once the game is completed, a mode is available called 'EX game'. It is different from the normal game in various aspects; the player has access to every item stored in the police station, the game begins with the final weapon and armor the player chose before ending the first game but returns to level one experience, and the bonus points (BP) given to the player at the end of the game are now available to use. The items, weapons, power-ups and enemies are more powerful, as are the enemies the player encounters. However, the biggest difference from the normal game is the addition of the, a brand new location with 77 floors (containing mostly randomized content), leading to a final battle with Aya's older sister, Maya. Critics highlighted the shocking opening scene where the entire opera audience. The story begins with Aya Brea, an rookie, attending an at with a blind date in on 1997.

During the opera, everyone in the building, except for Aya, and an actress on stage named. Aya confronts Melissa onstage, and Melissa says that Aya’s need more time to develop. She flees backstage, with Aya giving chase. Backstage, Melissa then mutates into a beast and flees into the sewers, declaring that her name is now Eve. The next day, on, Aya and her partner, go to see a scientist at the named Dr. He teaches the protagonists about mitochondria, but they do not find his information useful since it does not explain the previous night's events.

Later that day, they hear that Eve is in, and to make matters worse, an audience has gathered at the park's theater intending to see a performance that Melissa Pearce was to give. Aya enters Central Park alone as Daniel is unable to pass through the entrance without spontaneously combusting. She makes it to the theater, but is too late to stop Eve, who causes the theater audience's mitochondria to rebel against their hosts and turns the crowd into a slimy orange mass. Aya chases after Eve and is knocked unconscious after a fight with her aboard a horse-drawn carriage. Daniel discovers that his son, was at the park, but had left the audience at the Central Park theater when he began to feel ill and when his mother began to act strange. He also learns that is being evacuated due to the threat that Eve poses.

While Manhattan is being evacuated, a Japanese scientist named manages to sneak into the city, witnessing a police officer combust into flames in the process. Aya awakens in an apartment in, with Daniel and Maeda at her side. Maeda reveals the origins of Eve: A scientist tried to culture the cells of his wife after she was involved in a car accident, and the mitochondria in her cells took over her body. Maeda believes that Eve may be trying to give birth to an “Ultimate Being”. The next day, the three go to see Dr. After examining cell samples from that of Eve and Aya's, Maeda concludes that based on, Aya and Eve's mitochondria are in an evolutionary race for survival. Klamp suddenly appears and asks a few questions of Aya in a hostile manner.

The three leave and head for the, where Maeda thinks Eve may try to get for the Ultimate Being. When they arrive, they find that Eve is already there.

Eve takes the sperm and escapes. The next day, Aya sees the orange mass of people from the park enter the city water supply. She goes to Dr. Klamp one more time, and discovers that Dr. Klamp has engineered special sperm for Eve so that she can create the Ultimate Being. He then spontaneously combusts.

Aya finds Eve in another part of the museum, where the orange mass has surrounded her, forming an impermeable shield to protect her while the Ultimate Being gestates within her. After several failed attempts to attack Eve, the military asks Aya to attack her from a chopper, as she is the only one who can get close without combusting. The plan works, but Aya has to personally finish the fight on a now-wrecked, where Eve finally succumbs to due to her unstable cells. As Aya rests on a vessel, the Ultimate Being is born and attacks the surrounding ships. Aya does battle with the Ultimate Being, but its mitochondria causes it to evolve at an alarming rate. Aya sets the vessel's boiler pressure dangerously high, so as to destroy it with the Ultimate Being on board.

In the initial ending, Aya, Daniel, and Maeda attend the opera at Carnegie Hall, where Aya's mitochondrial powers allow her to resonate with the audience members, their eyes ominously glowing. After completing the game once, the player can access the and have access to the true final boss, who takes the form of Aya's sister, Maya. She explains to Aya that Klamp cultivated the liver cells of the original Eve to analyze. When Melissa was giving birth to the Ultimate Being, she created a nest there. In case Melissa and the Ultimate Being failed, the purebred would remain. Aya speaks with her sister, and they engage in battle against the purebred.

After the purebred is defeated, the mitochondria inside Aya's body begin to rebel against her. It is explained that Aya's mitochondria have now reached a higher evolutionary stage than Maya’s, but Maya's personality has suddenly become dominant and begun to fight off the Eve persona. Maya eventually wins, purging the Eve persona from herself. Somehow, Maya protects Aya by preventing the original Eve from taking over her.

Aya leaves the building by herself, although she apparently has gained some sort of connection with her dead sister. Development The video game Parasite Eve is based on the acclaimed Japanese novel released in 1995. Plot-wise, the video game serves as a sequel to the book, referencing varios events therein while also stating that Mariko Anzai, the girl whom Eve had chosen to become her host in the novel, is Aya's biological mother.

The game was produced by and directed by of. During development of the game, Square decided to use as the setting after having been previously considered for use in. The game is notable for being Square's first game to be rated Mature by the. In contrast to previous Square titles, the development team for Parasite Eve consisted of both Japanese and American staff members, with a large part of the production taking place in the United States. Different concepts for the games opening were considered, including different designs for Aya and Melissa transforming into Eve on stage during the opera. Book author did not know the title's plot until it was completed, since the game was a collaboration between Square and his publisher. Aya Brea was created by Hironobu Sakaguchi and designed.

Aya was originally being designed by someone else, but the original sketches did not satisfy Sakaguchi, who had wanted a long-haired character like, a central character from. At the time, he was creating another unspecified character for a different project who sported short hair: he got confused while designing them and accidentally combined the two designs, creating the then-current Aya. The original concept for her was to have her as strong, sexy and 'bewitching'. Release Parasite Eve was released on March 29, 1998 in Japan for the Sony PlayStation. Television ads featuring the present in the game were aired in the in the run up to the games 1998 release.

Parasite In The City Game

In a shipping mixup, over two hundred copies of the game were shipped to retailers a week before the official release. The game was released in North America on September 9, 1998. The game has sold over 1.9 million copies as of February 2004, with 1.05 million sold in Japan and 0.89 million sold in North America. In Japan, it was the number 6 top-selling game of 1998 with 994,000 copies sold. The game was re-released in North America under Sony's label. Before 's release in 2010, both and Tetsuya Nomura discussed the re-release of Parasite Eve.

The release was being held up partly due to the series rights being co-owned with Hideaki Sena. The game was later released in both Japan and North America on the in 2010 and 2011 respectively. In 2018, the game was included in 2018 in the Japanese lineup of the. Music Parasite Eve Original Soundtrack. Main article: composed the game's soundtrack including the main theme, 'Primal Eyes'. The ending vocal song, 'Somnia Memorias', is performed by Shani Rigsbee. The score met with great critical acclaim, using influences from both.

Shimomura stated that she tried to compose 'inorganic' music for the game, what she described as 'something unique' for the game. A separate Parasite Eve Remixes album was also released, containing 10 tracks from the original game by various artists.

The idea for the work came from a simple suggestion to Shimomura that the game's music be remixed rather than. 'Somnia Memorias' was also included on the in 2001. A 2007 photograph of, composer for Parasite Eve and later The 3rd Birthday. Yoko Shimomura would later become a well-established video game composer through her work on the series.

Additional arrangements were done. Despite her previous work as lead composer on, Parasite Eve became her breakout project and garnered her international fame.

During her work on Parasite Eve, Shimomura spent time in America, which was where much of the game's staff came from. Because of this, Shimomura remembered the game as her most challenging project. She wanted the music to be experimental, not falling into ambient or techno classifications. One of her main goals was to create something 'inorganic' and recognizable as a product of. Until Parasite Eve, Shimomura had written music in a straightforward manner that reflected her then-current state of mind, but this time she restrained herself and took a more 'emotionless' approach. She felt that this would best represent the game's atmosphere and Aya's stoic attitude. Ultimately, she felt that Parasite Eve was an experimental work in many ways.

Due to its prevalence in the story, Shimomura used opera music, but as typical opera music did not translate well into battle themes, Shimomura added different rhythms: these rhythms were inspired when some of the game's American staff took her to a nightclub and she heard the background music there. The music recording took place at the Andora Studios in. Parasite Eve was the first of her projects to include a vocal theme, the ending theme 'Somnia Memorias'. This was because the PlayStation system was the first to have sufficient processing power for this to be possible. For the vocalist, Shimomura avoided using someone well known. 'Somnia Memorias' was sung by, while the vocals for the orchestrated versions of 'Influence of Deep' and 'Se il Mio Amore Sta Vincino' were provided by Judith Siirila.

'Somnia Memorias' was translated and adapted from Japanese into Latin by Raul Ferrando, while 'Se il Mio Amore Sta Vincino' was translated by Daniella Spagnolo. The lyrics for all vocal pieces were written by Shimomura.

The track 'I Hear a Voice Asking Me to Awaken' was an arrangement of. The two-disc album Parasite Eve Original Soundtrack was released through on May 21, 1998 under the catalog number SSCX-10020.

Later, due to popular demand from fans, a reprint was issued through the Square Enix label on January 26, 2011 under the catalog number SQEX-10222/3. The music received generally positive reviews from music critics, and helped establish Shimomura as a popular composer with western video game fans. Parasite Eve Remixes is a ten-track album, featuring remixed versions of themes from Parasite Eve.

The remixes were done by Shimomura, Tamaru, Hidenori Iwasaki and Keichi Takahashi. Multiple DJs also contributed, including Tomo, QUADRA, Dan K, Tribal Masters, Kay Nakayama, and Dummy Run.

According to Shimomura, the album came about when someone suggested to her creating full remixes of themes rather than making simple rearrangements. Shimomura was in charge of extending and remixing 'Aya's Theme', which was the main theme for Parasite Eve. The album was released through DigiCube on July 30, 1998 under the catalog number SSCX-10023. Reviews of the album were mixed, with critics saying that it would not appeal to many and finding some of the remixes odd, repetitive or overly chaotic. Reception Reception Aggregate score Aggregator Score 81/100 Review scores Publication Score 6/10 7.83/10 33/40 7.75/10 B 7.2/10 7.4/10 Parasite Eve received 'generally favorable' reviews, according to.

Praised the game for its beautiful graphics and cinematic sequences, as well as its mature tone, but noted, along with other reviewers, the game's linear plot structure. Cited the games 'exquisite' backdrops but bemoaned its long load times each time players enter a new environment or engage an enemy. Said the game had a cinematic look, and had an 'astounding' level of detail for real life locations in.

The lack of any or singing, however, hindered dramatic scenes such as the opera and subsequent mass of the entire audience at the game's start. The game was sometimes compared to the series, though GamePro said that Parasite Eve had deeper gameplay with multiple weapon upgrades and hidden areas to discover. Reviewers also cited that though the game broke many RPG gaming conventions, it suffered from having little replay value and being a relatively short game. The combat was compared unfavorably to by, which featured a dynamic camera instead of fixed one. The novel's original author approved of the game, stating that he was 'actually impressed how well the game makers translated the novel.' In 2000, the game was ranked number 16 by the readers of magazine in its top 100 PlayStation games of all time. In 2010, chose it as one of the 'Top 7.

'90s games that need HD '. In February 2011, Parasite Eve was announced to arrive on the North American. It was released on March 15, 2011. Legacy The Parasite Eve video game that was inspired by the original book was popular in Japan, and was a part of the 'J-horror' phenomena along with other fiction such as, and lead to two video game sequels and a manga adaptation based upon the video game universe called Parasite Eve DIVA. See also. Parasite Eve ( パラサイト・イヴ, Parasaito Ibu).

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External links. at. at (list of releases).

at (list of releases).